Makunda (Initiation Mask)

Ndeemba

By: Adenike Cosgrove Tagged:

Description

Makunda (also called n-khanda, m-khanda, longwa or nzo longo) is the initiation society used to transition male children into manhood. Yaka boys considered ready for initiation (called tundansi) are taken to a bush camp outside of the main village, circumcised, hazed, given new names, taught what it takes to become a man (hunting, sex) and also taught specific performances and dances associated with society and the community. During the circumcision dance performances (kinkanda), the initiates wear special masks while their teachers alone are permitted to wear the ritual masks of the makunda ceremonies:

  • Kambaandzya
  • Tsekedi
  • Myondo
  • Ndeemba
  • Kholuka (Mbala)

Yaka masks are also worn during public festivities, including a great village feast, to welcome the initiates back to the community. Masqueraders perform for the community and receive gifts from bystanders. Lower-ranked masks are known as tsekedi (also spelt tsekedye), myondo and ndeemba in the north. They perform in pairs after the appearance of kambaandzya.

The most common Yaka mask is the ndeemba. These masks are made by the newly circumcised tundasi to wear during there dances. These events indicate the end of the ritual and mark the young men’s return to daily village life.

Aside from a way to mark the new initiates’ return to the village, the Yaka people also use these festivities as a form of entertainment and fundraising. Following the end of the 'coming-out' ceremony the initiates, together with their masks, tour neighbouring villages. Afterwards, the masks are then discarded or burned.

Distinguishing Features

  • Appears in the largest variety of forms
  • Headdress made of plaited split creeper covered with woven raffia
    • Blackish resin applied to headdress and painted in geometrical motifs in polychrome colours (white, red, brown, blue, green, and yellow)
  • Hornlike plaits (maganda) attached to top of headdress
    • 30 - 40 cm high
    • Blackish resin applied to headdress and painted in geometrical motifs in polychrome colours (white, red, brown, blue, green, and yellow)
  • Human or animal-like face is only part carved from soft wood
    • Small face usually framed by square or rounded rim
    • Sometimes face replaced entirely by stylised animal's snout (usually buffalo snout)
    • Ndeemba masks occasionally present an image added to the central spire / horn or one that replaces facial portion of the mask
  • Exceptionally large trumpet-shaped nose
    • Sometimes turned upwards toward forehead to meet brow
  • Elaborate raffia neck fringe
  • Painted in polychrome colours
  • Mask secured to face by either:
    • Tenon handle jutting out at chin level
    • Straps fastening mask to shoulders

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