The exhibition on the aesthetic and meaning of beadwork focuses for the first time on women as artists. Whether in the shape of fine ornaments, impressive masks, or royal stools – bead art from southern, eastern and western Africa is admired for the delicacy of its workmanship and the diversity of styles. Manufactured in Europe for the African market from the 17th century on, glass beads are indicative of the early stages of globalisation. However, glass beads never merely served decorative or ornamental purposes; the colours and designs also convey intricate messages about age, gender, and identity of the persons wearing the pieces.