An extraordinary figure, the first 20th-century businesswoman, a self-made and emancipated woman, a visionary... There is no shortage of superlatives to describe the incredible rise to fame of Helena Rubinstein (1870-1965), dubbed the Empress of beauty by Cocteau, but her role as an experienced collector and a pioneer in the recognition of African and Oceanic arts in Europe and North America is often overlooked. Primarily amassed in Paris through her various encounters, "Madame’s collection", now dispersed, comprised over 400 pieces of non-European art including precious Kota and Fang reliquary guardians, exceptional Baoulé, Bamana, Senoufo and Dogon pieces. The exhibition places the spotlight on her passion for non-Western arts - primarily African art - through sixty pieces, as well as her fascination for their expressive intensity and character.
The Dakar Biennale, or Dak'Art - Biennale de l'Art Africain Contemporain, is a major contemporary art exhibition that takes place once every two years in Dakar, Senegal. The Dakar Biennale was conceived in 1989 as a biennale alternating between literature and art. The biennale has been created thanks to the will of both the Senegalese state which assumes the supervision and the local artists who since the seventies, have been organising regular annual art exhibitions which bring to light the different shapes of the evolution of contemporary art creation. The aim was to make of it a show-window of art and literature in Africa.
Masterpiece London is the unmissable art fair at which visitors can view and buy the finest works of art, design, furniture and jewellery - from antiquity to the present day. The Fair offers an unparalleled opportunity for new and established collectors to discover exceptional works for sale across a range of price points from 160 international exhibitors and across every major market discipline.
Taking its name from a 1970’s feminist anthem, I Am… Contemporary Women Artists of Africa draws upon a selection of artworks by women artists from the Smithsonian National Museum of African Art’s permanent collection to reveal a more contemporary feminism that recognizes the contributions of women to the most pressing issues of their times. With experimental and sophisticated use of diverse media, the 27 featured artists offer insightful and visually stunning approaches to matters of community, faith, the environment, politics, colonial encounters, racism, identity, and more.
The Museum of Modern Art announces Félix Fénéon: The Anarchist and the Avant-Garde—From Signac to Matisse and Beyond, the first exhibition devoted to the influential French art critic, editor, publisher, dealer, and collector Félix Fénéon (1861–1944), on view from March 22 through July 25, 2020. Though largely unknown today and always discreetly behind the scenes in his own era, Fénéon played a key role in the careers of leading artists from Georges Seurat and Paul Signac to Pierre Bonnard and Henri Matisse, each of whom is featured prominently in the exhibition. Félix Fénéon: The Anarchist and the Avant-Garde—From Signac to Matisse and Beyond traces Fénéon’s career through approximately 150 works that highlight his initiatives to help artists via his reviews, exhibitions, and acquisitions; his commitment to anarchism; his literary engagements; and his contributions to the recognition of non-Western art. Bringing together a selection of major works that Fénéon admired, championed, and collected, alongside contemporary letters, documents, and photographs, the exhibition underscores the tremendous impact he had on the development of modernism in the late 19th and early 20th centuries.
The first-ever UK exhibition by Nigerian-American artist Toyin Ojih Odutola, this epic cycle of new work will explore an imagined ancient myth, with an immersive soundscape by artist Peter Adjaye. Toyin Ojih Odutola, recognising the pen as a ‘writing tool first’, plays with the idea that drawing can be a form of storytelling. Working exclusively with drawing materials including pastel and charcoal, she approaches her process of drawing as an investigative practice. Ojih Odutola proposes speculative fictions, inviting the viewer to enter her vision of an uncannily familiar yet fantastical world. Drawing on an eclectic range of references, from ancient history to popular culture to contemporary politics, Ojih Odutola encourages the viewer to piece together the fragments of the stories that she presents.