In 2020 it will be exactly one hundred years ago that Antwerp, in full colonial time, acquired its Congolese museum collection. What are the stories behind the Congolese objects? And how did they end up in the port city? The exhibition focuses on a hundred unique Congolese works and examines their significance for various Congolese peoples. You learn about the impact of Christian missions on Congolese culture and about the view of Congolese people on the 'white' (global).
PAD, pioneering event for Art and Design aficionados and collectors, has been reinventing for the past 20 years the Cabinet d’Amateur and the notion of eclecticism, anticipating the aesthetic aspirations of its time. Season after season, it offers an intimate cocoon to those who have made decorative arts and design the core of their collection, driven by passion and heritage. Every edition evolves in aim to create an unprecedented dialogue between modern art, historical and contemporary design and jewellery. This year will give greater room to Primitive Art, and will highlight the vitality of raising such perspectives. The engaging aspect of PAD is its invitation to enter a personal collection, conceived by a selection of local and international art dealers – all of whom are leaders in their fields, eager to address each passionate collector in a unique manner. In this salon, mind is enlivened and imagination is exhilarated, as entering a place where the contemporary taste for 20th and 21st Century decorative art is born.
1-54 is the first leading international art fair dedicated to contemporary art from Africa and its diaspora. Founding by Touria El Glaoui, the fair holds annual editions in London since 2013, New York since 2015 and Marrakech since 2018. Drawing reference to the fifty-four countries that constitute the African continent, 1-54 is a sustainable and dynamic platform that is engaged in contemporary dialogue and exchange.
The first major survey of the celebrated London-based painter. Widely considered to be one of the most important painters of her generation, Lynette Yiadom-Boakye is a British artist and writer acclaimed for her enigmatic portraits of fictitious people. Her paintings often allude to historic European portraiture – notably Francisco de Goya, John Singer Sargent and Édouard Manet – yet in subject matter and technique, her approach is decidedly contemporary. Through her focus on the depiction of imagined black characters, Yiadom-Boakye’s paintings raise important questions of identity and representation. This exhibition will bring together over 80 paintings and works on paper from 2003 to the present day in the most extensive survey of the artist’s career to date.
The Burgundy Tribal Show is the first international tribal art fair to be held in the countryside. In a rural setting, and a relaxed atmosphere conducive to discovery, the Burgundy Tribal Show offers its audience a distinctly different experience.
After the Tate Modern in London, the MEP will present the first major retrospective in France devoted to the work of the South African "visual activist" Zanele Muholi. Born in South Africa, Zanele Muholi began to distinguish themselves at the dawn of the 2000s with photos seeking to document the life of black lesbian, gay, bisexual, trans, queer or intersex people, far from the representation that is usually made between deviance and victimisation. The work of Zanele Muholi defies ideology and hetero-patriarchal representations, presenting their subjects as confident, beautiful beings, who dare to exist with courage despite prejudice, intolerance and very often violence towards them.