Lynette Yiadom-Boakye

Tate Britain, Millbank, London SW1P 4RG: London, United Kingdom

May 19, 2020 - August 31, 2020 Exhibition May 19, 2020 August 31, 2020 Europe/London Lynette Yiadom-Boakye Tate Britain, Millbank, London SW1P 4RG: London, United Kingdom

The first major survey of the celebrated London-based painter. Widely considered to be one of the most important painters of her generation, Lynette Yiadom-Boakye is a British artist and writer acclaimed for her enigmatic portraits of fictitious people. Her paintings often allude to historic European portraiture – notably Francisco de Goya, John Singer Sargent and Édouard Manet – yet in subject matter and technique, her approach is decidedly contemporary. Through her focus on the depiction of imagined black characters, Yiadom-Boakye’s paintings raise important questions of identity and representation. This exhibition will bring together over 80 paintings and works on paper from 2003 to the present day in the most extensive survey of the artist’s career to date.


100 x Congo: A Century of Congolese Art in Antwerp

MAS | Museum aan de Stroom, Hanseatic city 1: Antwerp, Belgium

June 19, 2020 - November 11, 2020 Exhibition June 19, 2020 November 11, 2020 Europe/London 100 x Congo: A Century of Congolese Art in Antwerp MAS | Museum aan de Stroom, Hanseatic city 1: Antwerp, Belgium

In 2020 it will be exactly one hundred years ago that Antwerp, in full colonial time, acquired its Congolese museum collection. What are the stories behind the Congolese objects? And how did they end up in the port city? The exhibition focuses on a hundred unique Congolese works and examines their significance for various Congolese peoples. You learn about the impact of Christian missions on Congolese culture and about the view of Congolese people on the 'white' (global).


Caravans of Gold, Fragments in Time

Smithsonian National Museum of African Art, 950 Independence Avenue: Washington, D.C., United States

April 08, 2020 - November 29, 2020 Exhibition April 08, 2020 November 29, 2020 Europe/London Caravans of Gold, Fragments in Time Smithsonian National Museum of African Art, 950 Independence Avenue: Washington, D.C., United States

Caravans of Gold, Fragments in Time: Art, Culture, and Exchange across Medieval Saharan Africa is the first major exhibition addressing the scope of Saharan trade and the shared history of West Africa, the Middle East, North Africa, and Europe from the eighth to sixteenth centuries. Weaving stories about interconnected histories, the exhibition showcases the objects and ideas that connected at the crossroads of the medieval Sahara and celebrates West Africa’s historic and under-recognised global significance. Presenting more than 250 artworks spanning five centuries and a vast geographic expanse, the exhibition features unprecedented loans from partner institutions in Mali, Morocco, and Nigeria, many of which will be seen in North America for the first time.


Wo ist Afrika?

Linden-Museum, Staatliches Museum für Völkerkunde, Hegelplatz 1: Stuttgart, Germany

March 16, 2019 - December 31, 2020 Exhibition March 16, 2019 December 31, 2020 Europe/London Wo ist Afrika? Linden-Museum, Staatliches Museum für Völkerkunde, Hegelplatz 1: Stuttgart, Germany

The Linden-Museum Stuttgart presents its new permanent exhibition "Wo ist Afrika?" from 16 March 2019. "Wo ist Afrika?" invites the visitor to critically explore and re-evaluate contexts and narratives associated to Linden-Museum Stuttgart’s collection of artefacts from the African continent. The exhibition shows how the collections were established, how they developed over time, and which rules of classification they adhered to. A large part of the objects on display were acquired from Cameroon, the Congo basin, Mozambique, Nigeria and Tanzania between the end of 19th and the first half of the 20th, at the height of the European "Scramble for Africa". "Wo ist Afrika?" examines stories and histories inscribed into these objects and what they can mean for us today. The exhibition opens up a space of cultural creativity, which allows the visitors to near themselves to a wider understanding of culture. "Wo ist Afrika?" has a process-oriented approach, questioning the authority of the museum by showing a multitude of parallel narratives and asking important questions addressed to our contemporary societal cohabitation.


Not Visible to the Naked Eye: Inside a Senufo Helmet Mask

1717 North Harwood, Texas: Dallas, United States

November 23, 2019 - January 03, 2021 Exhibition November 23, 2019 January 03, 2021 Europe/London Not Visible to the Naked Eye: Inside a Senufo Helmet Mask 1717 North Harwood, Texas: Dallas, United States

The DMA’s Conservation and Arts of Africa departments, in an exciting and cutting-edge collaboration with UT Southwestern Medical Center, will present CT scans of a Senufo helmet mask from the Museum’s African art collection. This kind of mask is worn like a helmet by a medium at initiations, funerals, harvest celebrations and secret events conducted by the powerful male-only Komo society, which has traditionally maintained social and spiritual harmony in Senufo villages in Côte d’Ivoire, Mali, and Burkina Faso. Visible attachments on the mask include a female figure, cowrie shells, and imported glassware. The CT-scans reveal unexpected materials beneath the surface and objects contained in the attached animal horns that empower the mask.


Clay—Modeling African Design

University Collections Gallery, Harvard Art Museums, 32 Quincy Street: Cambridge, United States

November 17, 2018 - November 14, 2021 Exhibition November 17, 2018 November 14, 2021 Europe/London Clay—Modeling African Design University Collections Gallery, Harvard Art Museums, 32 Quincy Street: Cambridge, United States

This exhibition highlights artistic innovation and creativity in Africa as seen primarily through the traditions of ceramic arts from across the continent and over its long history. Countering the assumption that African arts and societies are largely unchanging and bound to traditions and customs, the remarkable diversity of objects and styles on display here tells a different story. A selection of more than 50 works on loan from the Peabody Museum of Archaeology and Ethnology at Harvard University, including those by newly discovered Nigerian artist Alice Osayewe, are shown alongside works from the Harvard Art Museums permanent collections, such as a recently acquired contemporary photograph by Afro-futurist artist Alexis Peskine.