Set in the vibrant heart of Mayfair, PAD is London’s leading fair for 20th Century art, design and decorative arts. Inspiring a unique spirit of collecting, PAD epitomises how modern art, photography, design, decorative and tribal arts interact to reveal astonishing combinations and create the most individual and staggering interiors. Prominent international galleries from major cities across Europe, North America and Asia come together to offer an exceptional panorama of the most coveted and iconic works available on the market today. PAD is a place to discover and acquire pieces of museum quality with a distinct history. PAD cultivates eclecticism, authenticity and connoisseurship with passion and flair.
Frieze Masters features more than 130 leading modern and historical galleries from around the world, showcasing art from the ancient era and Old Masters to the late 20th century.
Frieze London features more than 160 of the world’s leading galleries. View and buy art from over 1,000 of today’s leading artists, and experience the fair’s critically acclaimed curated sections and Talks programme.
1-54 is the first leading international art fair dedicated to contemporary art from Africa and its diaspora. Founding by Touria El Glaoui, the fair holds annual editions in London since 2013, New York since 2015 and Marrakech since 2018. Drawing reference to the fifty-four countries that constitute the African continent, 1-54 is a sustainable and dynamic platform that is engaged in contemporary dialogue and exchange.
Tate Modern presents the first major mid-career survey of visual activist Zanele Muholi in the UK. Born in South Africa, Muholi came to prominence in the early 2000s with photographs that sought to envision black lesbian, gay, bisexual, trans, queer and intersex lives beyond deviance or victimhood. Muholi’s work challenges hetero-patriarchal ideologies and representations, presenting the participants in their photographs as confident and beautiful individuals bravely existing in the face of prejudice, intolerance and, frequently, violence. While Muholi’s intimate photographs of others launched their international career, their intense self-portraits solidified it. This exhibition will present the full breadth of Muholi’s photographic and activist practice.
The practice of El Anatsui (b. 1944, Anyako, Ghana), possibly the most prominent African artist today, exemplifies a neverending search for models that offer an alternative to the modernist canons of purity. This retrospective will be the most ambitious ever presented of Anatsui’s career and will cover all the series and mediums used by the artist over five decades of work. The exhibition pays special attention to the most monumental aspect of Anatsui’s sculptures, through emblematic pieces created over the past twenty years with plastic bottle caps as a fundamental component.