As the debate about the restitution and repatriation of looted African artworks and cultural artefacts rages on, we chronicle the timeline of events that have and continue to shape the question, should Western museums send back looted African art.
We provide a preview of the exhibition, Asen: Mémoires de fer Forgé - Art Vodun du Danhomè in this two-part article. Part II explores these stunning works, both individually and in core artistic groups that represent key examples of these arts from the southern West African area of Benin Republic.
We provide a preview of the exhibition, Asen: Mémoires de fer Forgé - Art Vodun du Danhomè in this two-part article. Part I explores questions of use, the history of these arts, the political changes that occurred in Dahomey in which asen featured prominently, and how asen help us to understand the changing relationships between local residents and Europeans in the pre-colonial and colonial era.