As the debate about the restitution and repatriation of looted African artworks and cultural artefacts rages on, we chronicle the timeline of events that have and continue to shape the question, should Western museums send back looted African art.
The Yale University Art Gallery presents an examination of the 50-year career of Yoruba artist Moshood Olúṣọmọ Bámigbóyè (ca. 1885–1975), reuniting masterworks from his workshop in the exhibition, ‘Bámigbóyè: A Master Sculptor of the Yorùbá Tradition.’
Connecting African art collectors with dealers and scholars, based on a foundation of knowledge about the origin, use & distinguishing features of listed pieces
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