Nathan Mabry’s work transforms the known into the new and the unexpected. Mabry melds classic African art with the contemporary, producing works in wood, plaster, and clay that satirise modernist derivates of historical works. Through his work, Mabry questions the narratives of progress that frame the history of Western art.
As the debate about the restitution and repatriation of looted African artworks and cultural artefacts rages on, we chronicle the timeline of events that have and continue to shape the question, should Western museums send back looted African art.
"Young collectors need to exercise patience. They do not need to create their collection in six months, it doesn’t work like that. Collecting should be a lifetime passion, there’s no need to rush. Take your time, have fun—there’s nothing more rewarding."