In his 'Note on Negro Art', Tristan Tzara proclaimed that "black draws light". The father of the Dada art movement was a passionate collector of historical African art. We explore who Tzara was and what drove his love of art from the African continent.
I had the pleasure and the honour of being asked to collaborate on the preparation of this important exhibition. The following presentation, which accompanies the event, is the result of the joining of forces between those that knew and appreciated Ezio Bassani.
The appreciation of West African gold objects is based on their richness of form and highly sophisticated craftsmanship. We delve into the skill involved in making royal Akan gold ornaments by reviewing works from the Hartmann Collection.
Nathan Mabry’s work transforms the known into the new and the unexpected. Mabry melds classic African art with the contemporary, producing works in wood, plaster, and clay that satirise modernist derivates of historical works. Through his work, Mabry questions the narratives of progress that frame the history of Western art.