Nathan Mabry’s work transforms the known into the new and the unexpected. Mabry melds classic African art with the contemporary, producing works in wood, plaster, and clay that satirise modernist derivates of historical works. Through his work, Mabry questions the narratives of progress that frame the history of Western art.
"Young collectors need to exercise patience. They do not need to create their collection in six months, it doesn’t work like that. Collecting should be a lifetime passion, there’s no need to rush. Take your time, have fun—there’s nothing more rewarding."
We provide a preview of the exhibition, Asen: Mémoires de fer Forgé - Art Vodun du Danhomè in this two-part article. Part II explores these stunning works, both individually and in core artistic groups that represent key examples of these arts from the southern West African area of Benin Republic.