"In the exhibition were three small Fon bocio figures. They had a kind of mystery that I had been trying to bring into my own work. Seeing the Fon figures was one of those moments when the lightbulb went off in my head."
"When we eventually had the means, we were so eager to make the connection between our upbringing and an art collection, especially photography. From that first piece in Gabon, to where we are today, I’d say that we have a very eclectic collection from artists from around the world yet with a focus on photography from the African Diaspora."
"The mistakes that I made were collecting purely impulsively and not really studying and comparing and doing the legwork. Because early on, not doing the preliminary steps can be very detrimental. Late in the game, now, I can make a really quick decision on something and the likelihood of me screwing up is a lot less."
"The most important piece of advice is to see and touch as many pieces as you can. Train your eye and you will begin to see the differences sooner or later. Then you will see pieces and know, that one—no, that one—yes!"
"I now collect two types of beads from Africa; those that either have a history—ancient glass beads—and beads that are used in rituals by African traditional healers, or in animistic rites. I discovered those functions of beads in West Africa, and I started documenting those uses, bead by bead."