Ndubuisi “Endy” C. Ezeluomba, Françoise Billion Richardson Curator of African Art at the New Orleans Museum of Art, shares his thoughts on restitution, connecting the classic and contemporary, and the future of African art.
I had the pleasure and the honour of being asked to collaborate on the preparation of this important exhibition. The following presentation, which accompanies the event, is the result of the joining of forces between those that knew and appreciated Ezio Bassani.
Nathan Mabry’s work transforms the known into the new and the unexpected. Mabry melds classic African art with the contemporary, producing works in wood, plaster, and clay that satirise modernist derivates of historical works. Through his work, Mabry questions the narratives of progress that frame the history of Western art.